Start by downloading www.audacityteam.org , a free audio software program. For everyday conversation, 100 2900 Hz. Many calls a day come through the Heil Sound facility with RF issues." These also works great with the MH-31b8 original hand mic. to solid-state driver & final amplifiers changed the nature of the distortion to that of hard clipping. But, you dont need to worry about that so long as you purchase the correct adapter cable to go with your dynamic microphone. You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. For most, roll off the low end by setting the first filter at 200 Hz. ); in this case, set the MAIN: MIC SEL selection to RP (Rear Panel). So, how can you Eq your audio based on someone else's settings? Set up all the EQ settings to the Heil recommended settings even if you are NOT using his mics. W2IHY 8 BAND EQ and EQPlus settings for the Yaesu FTDX-2000. - YouTube 0:00 / 8:38 Yaesu ftdx1200 EQ settings & W2IHY. Many of them are transmitting low frequencies close enough to DC to act as a carrier & demodulate the signal. I swapped out the mic cable with RG-174 and connected the mic cable's braid to the 8-pin connector's shell instead of the mic ground pin. Do you have a wide range studio or broadcast microphone, or perhaps one of Heil Sounds high-articulation microphones using the HC-4 or HC-5 elements? M0WBK 1.27K subscribers Subscribe 53K views 9 years ago EQ settings can be hard to get right. The iCM is the perfect match for the iC 718. Wide-range microphones can sound great, but when applied on SSB as a general rule you may want (A) to add some high-frequency (treble) response to brighten up the pattern, and (B) to roll off some low-frequency energy (bass) particularly if you do DX and contest work. Set Menu #64 and 65 (TX Carrier Shift) to +.05 to +.10. No apparent reason but it is true. To increase high-frequency articulation, without rolling off lows or mid-range, use selection 4.See page 81 of the Operating Manual for details. However, the Mic Pre Amp on the iC 718 has down in gain by -15 dB. But we quickly found that our sound was more easily tweaked with the parametric approach than with the all the sound boards we had previously had. Never any more. IMHO, it is a good idea for hams to have some sort of quality monitoring setup as part of their shack. This project involves a management team of volunteers who each take a topic of interest and manage it with passion. If you are setting for a normal ragchew conversation, you will want a bit wider frequency response of 2.7 kHz 3.1 kHz . Great receiver, full coverage 160 through 6 meters. Bandwidth of 5 Menu 093 Bandwidth These are our recommendations. Mic gain and processor level settings are identical for a reason. I am a new owner of an FT-950 and found that the stock MH-31 mic with no processing and no EQ (only because I have not gotten that far yet) has been getting unsolicited audio reports of "excellent, great, outstanding" etc. A few tweaks in the Icom menu is all that is needed to adjust bass and treble to YOUR taste. There are three audio filters that you can change their PARAMETERS (thus Parametric EQ). It's a difficult subject to broach without someone feeling as if it is their toes that are being stepped on, but here goes. No clarity. Transmit bandwidth set to "TTBF". 98. Record a track of your voice.Save the track & select "analyze". will not pass any speech audio worth listening to). In each of the audio bands (low, mid, and high-frequency areas), you can set the center frequency, amplitude, and bandwidth of equalization. And I dare say, microphone gain is the one control on modern transceivers, almost no one gets right! All of my Icom friends got the same headset when they tried mine! We discussed the built in EQ on the FT-950. The 200-Watt "D" (Deluxe, fully equipped) as well as the 400-Watt . Use one of our PR series professional balanced output microphones with the 3 pin XLR. Start with Menu #16 (Mic EQ) Off. A Parametric EQ is just as the term implies. Just as all EQ settings, we can only give you starting points for your transceiver. Set Menu 51 (Equalizer) to 1 or 2 for DX work, 3 (best) or 4 for local rag-chews. You will hear the balance that will please you.As always study the operation guide for further information. Mic Gain: Set to 50% for iC elements, 80% for dynamic elements. Notch or Boost. It was found through testing that when both are set at the same levels, the radio power output is 2.5 times greater with the processor "on" verses the processor "off". The Heil cable CC-1 XLR-BAL (with an ORANGE, not traditional Yellow boot for early models) connects our balanced output microphone into the balanced input and will help reduce any RFI issues. Sometimes i`m asked how to adjust the EQ settings of Yaesu rigs. You will perhaps want to change the frequencies of the first two filters if you are using an HC 4 or HC 5 element which is much narrower in response than the above microphones but start hear and see how this affects your transmitted signal. The High Boost 2 selection will suppress the lower frequencies, and give you more sparkle on the high side, for good communication-quality audio. In other words, the lower number seems to have a lower Q, so the filter affects more frequencies. The other contributor was the so-called Pin 1 problem (Google it). "How's my audio" is commonly heard throughout the HF Bands these days. The ferrite choke solved the problem completely, and I never expereienced it again. TS 2000Set Menu #21 (TX EQ) to H for DX work, or leave it at C for local rag-chewing; set Menu #22 (Bandwidth) to 3000 Hz. Depending on the mic youre using, you may want to adjust either the Treble or Bass to get the kind of sound youre looking for in the Wide bandwidth, which youll use for high-fidelity operating (rag-chews, etc.). You then know exactly how you sound to the outside world. DSP Settings and Mic Connections: Elecraft K3 and KX 3. )for casual contacts, Mid Transmit Bandwidth (2.4 kHz.) there's an adapter that plugs right into the radio. About Us Dealer Resources US Dealers International Dealers Repairs WarrantyFAQs Privacy Policy Terms & Conditions Contact Us. Only took a few minutes to get the EQ set for my voice. The site will stand above all other ham radio sites by employing the latest technology and professional design/programming standards, developed by a team of community programmers who contribute their skills to the effort. Please submit any Amateur Radio related news or stories that you would like to see, here on eHam.net. "Yaesu has recently had several reports that the 950 is VERY sensitive to RF. 8 Band EQ settings for the Yaesu FTX9000. Now go to Menu #30, and select C (Conventional), which will give the audio frequencies above 600Hz a slight (3 dB) boost. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. This is going to reduce that significantly. You then set the Bandwidth of that filter and finally you tell the filter if is notches (cuts, reduces) or boosts that filter frequency. When you have the speech processor engaged (COMP ON), set the compression level for about 5 dB of compression on voice peaks. Bandwidth 5 Menu 099 Bandwidth" There will be three important frequencies to attend to. If you are using our high output iC element (Pro Set iC, Pro set Plus iC, Pro Set Elite iC, Handi Mic iC, or the iCM via the HSTA-K8 adapter cable), tap [1] to select HIGH Mic Gain, and tap [2] to set the Mic Bias to the ON option. Sign In Upload. These assignment Menu numbers are different for the other Yaesu rigs but the level settings are the same. Bandwidth Q 5 Menu 096 Bandwidth Then, 'plot the spectrum. A 10:1 voltage divider was added. Menu 091 Frequency. The PR 781 dynamic microphone, which sounds simply wonderful on modern iCOMs. If there are any problems please let me know. The site will be something of which everyone involved can be proud to say they were a part. N5TGL, I know that it may seem counterproductive to make a cut a 400Hz, but that is the way it seems to work with many SSB transceivers. . YOU have to make the final decision by listening to your own signal. This will determine where to cut or boost frequencies with the Eq turned on to obtain an overall full spectrum audio within the limitations of the radio transmit bandwidth & your voice/mic frequency response.In my case I needed +9 dB @200 Hz to get the power up to the same level recorded @1 kHz. Generally, the modulators of these rigs want you to roll off bass and enhance treble. Now that I'm comfortable with general operation I'd like to tweak some of my settings to improve audio quality (mainly RX, TX sounds good with just mic gain). Leave Menu 8-9 to factory defaults for starters. Michael Salmi. I ultimately traced it to the headset's mic cable having inadequate shielding (spiral-wrapped fine stranded wire that provided perhaps 70% coverage instead of a braided or aluminized mylar shield). In this section there is a section for the FTdx-3000. Second, are the low-gain models (earlier designs like the IC-735/745/751/761/765/781, non-Pro 746/756, all 706 models, and the 7000, 7100, and 7200. most 1200s sound terrible. heilhamradio.com lists some Parametric settings (MIC EQ and PROC OFF), but none for P Parametric (MIC EQ ON and PROC=35). At least that is how my radio works.I think the article explains it the other way. The iCOM 718 is a terrific value. Adjusts the Q-factor of the high range of the Default Setting: 2 parametric microphone equalizer when the speech proces- sor is activated. Yaesu FT-9000 TTBF Settings for eSSB: (4kHz BW) 1) Turn off the 9000 via front panel switch. W3RJW's FTDX-5000/FTdx-3000 Audio EQ Settings. I used only the TX monitor function of the radio. For Icom mobile rigs, use the HSTA-706, and for Icom HTs use the HSTA-iHT. We have notched some low end out by setting the transmit bandwidth in the beginning then with the EQ, we reduced some low end (menu 091) and this is always a major problem. Oddly, the word gain doesn't appear in the text. AM-TX-Bandwidth (TX BPF SEL) 100-2900. SO SO important and this + 8 dB boost at 2400 3000 HZ is the good starting point for that. The speech processors of these rigs are very touchy. We have recently come up with the perfect 'fix' for that. And the second good read is YAESU specific: "All Things Yaesu". You must listen to yourself through it monitor system or through a nearby receiver and headphones. Yours will differ. Please read pages 35-36, and page 60, of the K3 Operating Manual, in particular, for more details of these subjects. Wrong microphone, not addressing (speaking into) the microphone correctly, too far away from the microphone, too much room echo and a host of other situations. All of the late model Yaesu starting with the FT 9000 all the way through the FT 1200 use the same Parametric EQ and mic preamp boards. The BIG problem with this is when you try using a REAL (dynamic) microphone. The cap MUST be a non-polarized type. Try them while listening on a separate receiver.Speech Processor: Dont be afraid to use it; the audio quality is excellent for most applications. To use any dynamic element on these phantom-powered inputs (which should NEVER be applied to the mic input of a radio transmitter, IMHO), the input must be de-coupled so the mic audio AC signal can pass through to the mic preamp, while simultaneously blocking the DC voltage from reaching that mic element. The Monitor circuit provided on your rig is very unreliable as a way of evaluating your stations audio characteristics. I used a PROC level of 25 and the mic gain to the 11 o'clock position. Now one else can make the adjustments. Compare your radio audio plot to the Audacity spectrum plot. Here is what needs to be added to the 8 pin connector to make that electret condenser work. Great piece here! INITIAL SETTING OF YAESU Parametric EQ and HEIL PR Microphones. There are three and that is all you will need to make your transmitter sound terrific. Set the TX Equalizer to 2 for local rag-chews, 9 for DX work (1 is also good), and use the 4 setting when using mics with the HC-4 element. Its much better to listen in a separate receiver because that is the only way you can get a real-world appraisal of your audio passband characteristics. At the same time, DC flows DOWN the mic cable while the mic audio is fed UP the same wire. That was a misprint which I failed to correct. Try mic gain at 30 and processor at 25 and talk about 3-4" from the mic. Set the SSB TX Bandwidth to 200-2800 Hz for high-fidelity rag-chews, or to 400-2600 Hz for DX work. FT-450The FT-450s Microphone Equalizer Menu item (MIC EQ) is very simple in its adjustment. Set audio frequency to 1 kHz. That 4 kHz transmit bandwidth you read about is -9 dB at the high & low frequency limits.The Yaesu owners manual on page 134 says: " SSB audio response not more than -6 dB from 300-2700 Hz". One for processor off and one for processor on. Note that power output meter will show lower power as bandwidth is increased; this is normal, reflecting lower power density per Hertz of passband.FT-1000MP Series (including Mk-V and Field)Menu 5-9: 6.0Menu 7-7: Set SSB-T to 300-3100 Hz for DX/Contest, 100-3100 Hz for more fidelity.Menu 4-4: Set to OFF while setting Menu 7-7 to your liking, then try each selection (1 through 4) while listening in a separate receiver to see if any of these improve your voice signals characteristics. Microphones like the GM series, Heritage, Classic 4/5 Handi Mic 4/5, and the HM-10 Dual sound great on modern Icom rigs. I'm getting comments that my mic gain is ok but too much bass in my voice. FT-991A Mic Eq. SO SO important and this + 8 dB boost at 2400 - 3000 HZ is the good starting point for that. These are important factors to consider. This HAS to be shown as it turns the parametric EQ on. Yesterday I had a nice QSO with Bob Heil, K9EID. When I owned my FTDX-1200 I ran a Koss SB40 dynamic headset on it and got many unsolicited compliments on the audio. You can adjust the parameters of the microphone audio. In almost all cases when a person using a newer radio had RF in his audio we were able to eliminate the RF by removing the jumper wire. Sometimes, you will have too much low end audio from the microphone that actually overloads the mic pre amp and 'sounds' like RF but it may not be. This is pretty cool until you start having RFI problems, but we shall ignore that possibility for now. Low end, Mid Range and Highs. Good info, also if you have the free Yaesu PCC-950 rig control software you can setup and save the EQ settings in graph format. Alan, KBG All of the late model Yaesu starting with the FT 9000 through the 101 uses the same Parametric equalizer. This was written up in the Technical Correspondence column in the April 1997 QST. Quickly tap it for the other. Oddly, the word gain doesn't appear in the text. Set Menu #59 and #62 (Carrier Shift) to +50, and Menu #60 and #63 (Carrier Shift with Processor On) to +150. You only have control to either cut or boost the filter frequency they build into the transmitter. I'll cover the setting of the MIC OUT under the EQ PLUS setup. Vertical antennas and indoor horizontal antennas in close proximity to poorly shielded modern amateur transceivers. Wide transmit bandwidth. One thing Bob said that makes a lot of sense. CUT -6 dB Menu 095 Notch or Boost Just rename each file configuration when saving (DX, low cut, high cut etc.) Set to +10 dB for DX/Contest work.SSB TX BW: Set to 400-2600 Hz for DX/Contest work, 300-2700 Hz for everyday operation, 100-2900 Hz for more fidelity. The MH-31b can sound decent with the proper settings. (This includes any inappropriate posts on a topic, as I cannot monitor every topic.) eHam.net is a community web site for amateur (ham) radio operators around the world. If you can tap into your transmit audio - before the rig - on one track and then your demodulated signal on another, you can tell quickly by listening about any adjustments you should make. Many calls a day come through the Heil Sound facility with RF issues. DSP Setting Example: Yaesu FT-950/2000 and FTdx9000 Series. My settings are as follows; mic gain @ 25, processor is "on" @ 25. FT-950 transceiver pdf manual download. They unbalance that 8 pin round mic connector input with their typical Pin 8, pin 7 connections. If you set this first filter frequency to 200Hz. Modern Amateur Radio transceivers offer a wide variety of features that may include DSP-based adjustments for your SSB audio. Back to Audacity. Again, nice article. Simply install a 1 F non-polarized tantalum capacitor in series with mic lead. This FTdx3000 page discusses the techniques to attain clean ESSB (Extended SSB) audio by using the INTERNAL parametric EQ settings in the radio and NO EXTERNAL EQ 'boxes'. and questions regarding my mic and rig because it sounds so good. Set menu 11-09 {SSB TX BPF} to 100 - 3000PRC = ON and set to 40 %MEQ = ONMicrophone gain set to 20 %MH-31 Microphone switch set to pos 1The settings are mad. Proc level: 20. For use on earlier Icom 8-pin (round) equipped rigs, use the HSTA-I8 adapter cable. He was ready to give up until he discovered 300-2700Hz and those mid and high range EQ settings. Options abound as how to tweak transmit audio to a precise sound. The LSB settings are inverted from USB, so a setting of -10 on LSB and +10 on USB should sound the same. The Yaesu preamps are high gain so you will use a much low setting of mic gain with the Heil iC element. Set the MAIN: MIC SEL menu selection to FP (Front Panel). "Yaesu has recently had several reports that the 950 is VERY sensitive to RF. As always listen to your test signal through headphones connected to a second receiver. Connecting a dynamic into your mic input will provide a nice short of the +8V DC power straight to ground. You want to boost that frequency, you adjust it to + 10dB. Note that the mics and boom sets using the HC-5 elements (GM-5, Pro Set 5, etc.) Owners of modern Icom rigs wishing to utilize the specialized characteristics of Heil Sound dynamic elements (like the current HC-6 and HC-7, and discontinued HC-4 and HC-5) need only obtain the proper adapter cable (AD-1-I, AD-1-IM, CC-1-I, CC-1-IM or CC-1-XLR-I) to ensure proper interfacing. The suggested level settings will be the same but the actual menu assignment labels are different.EQ1: -6 dB at 200 Hz, Bandwidth of 2 (set to -10 dB if using PR 40 and you get Reports of too much bass).EQ2: -6 dB at 900 Hz, Bandwidth of 2.EQ3: +6 dB at 2400 Hz, Bandwidth of 2. Mic gain at 11 - 12'o clock PROC gain at 9 - 11'o clock (any more than 11'o clock . Set Menu #29 (Bandwidth) to 3000 Hz; set Menu #30 (Bandshift) to 100 to roll off some Bass response, and set Menu #31 (TX EQ) to H for DX work, or leave it at C for local rag-chewing. Menu 091 FrequencyCUT that filter -15 dB Menu 092 Notch or BoostBandwidth of 5 Menu 093 Bandwidth, Second Filter 400 Hz Menu 094 FrequencyCUT -6 dB Menu 095 Notch or BoostBandwidth Q 5 Menu 096 Bandwidth, Third filter 2400 Hz Menu 097 FrequencyBOOST + 8 dB Menu 098 Notch or BoostBandwidth 5 Menu 099 Bandwidth. Connect your rig to dummy load with a watt meter.Set Eq off, processor on, mode = SSB, mic = 20, processor = 20. The first thing to set is the frequency that you need to affect. For stunning hand mic performance theHMM-iCwith the AD-1 i. You can make a recording of audio at any stage in the chain and replay it to see if you can demodulate it. No studio gear at all. The voltage divider was made up of a 1 k Ohm resistor in series with the audio (+) line and a 100 Ohm shunt resistor. Or leave it off. If you set the Bandwidth control of the . The first low-frequency filter removes all of that low-end bass that destroys so many signals. I had an RF feedback problem with my old TS-850 when using a Heil BM-10 mic. Using the Heil Sound wide frequency range microphones such as the PR 781, PR 30 or PR 40 you will want to roll off the low end as the preamp of the 950 does not handle a lot of bass response. A few tweaks in the Icom menu is all that is needed to adjust bass and treble to YOUR taste. Set to 3000. Transmit filter: Set to WIDE for fidelity, MID for everyday operation, and NAR for DX pile-up busting. Carrier Point (Q4): Try +100 for DX/Contest work, -100 for rag-chewing. CUT that filter -15 dB Menu 092 Notch or Boost Great article. Bob was kind enough to send me this info, so I am passing it along to the owners of FT-950's. Again, these are necessary starting points for operation, and it should be noted that, when using the HC-6, HC-7, and HC-5.1 elements, the equalizer may be left at its default setting of 0 across the board, since equalization is already taking place in the mic element itself. Parametric Eq frequency/level/bandwidth settings are; 200/9/5, 1500/5/5, 2700/5/5. You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. AF4RK. This voltage must be blocked for use of Heil Sound dynamic elements. AMC level: 55. Because of this low gain mic preamp Our GM, Goldline, HC 4 or HC 5 elements will not work. Big enough that it could also cut the second filter, even with a Q of 5. These settings are credited to a great friend Randy/K0RWB.thanks Randy! The TS-590S does have a very sophisticated software-programmable equalizer system, but thats not required in order to get on the air while sounding great. (2.9 kHz) for casual contacts, Mid transmit bandwidth (2.4 kHz) for DX and CONTEST work, Wide Transmit Bandwidth (2.9 kHz. Don't forget to push and hold MENU for 2 seconds to exit and store new settings ! You then know exactly how you sound to the outside world. Suddenly, there were just 3 pots! May 25 #937. You're right, 'it ain't rocket science' & i use the transmit monitor to listen to myself as well. FTdx3000 Tx EQ Menu Settings with 4K Tx SSB BW & MH-31 Hand Mic N8NK QRP 824 subscribers Subscribe 128 Share 7.8K views 2 years ago FTdx3000 Tx EQ Menu Settings with 4K Tx SSB BW & MH-31 Hand. KG4TGP. I did have to make an aircraft mic to 1/8 stereo cable. . With parametric EQ you can change the parameters of the EQ system. Further, nothing is said about how to use the microphone, which is another issue almost no one gets right. Then select multiple frequencies between 10 and 5000 Hz to get enough data to plot the filter shape on graph paper [frequency verses power output]. FT-920Menu U-59 (TLSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-60 (PROC LSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-62 (T USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-63 (PROC USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-51: Set to OFF initially.1: Mid- and high-frequency emphasis.2: High-frequency emphasis (DX/Contest setting).3: Low- and high-frequency emphasis, dip in middle.4: Wide broadcast setting. For more bass roll-off, set this menu item to +150 to +200; to add bass (if using a mic with the HC-4 element, for example), set it to -150 to -200. Nice to see this. Firstly, a 15 dB boost or cut is HUGE. Thanks for the article. I think that many hams do not realize how versatile modern transceivers are in this regard. For ESSB operation, you may want to set the lower-frequency selections to positive settings, depending on which microphone you have and your audio sound objectives. If you try to use the AD-1-iC or AD-1-iCM adapter cable on a dynamic-element microphone, the lack of a blocking capacitor will cause the element to seize up, and no output will be heard. THE BASICS: YOUR OPERATING PREFERENCES AND YOUR MICROPHONE. Now, I will explain how I arrived at these settings which are particular to my voice. Most male vocal power is right in the 500 Hz range. a 718 with a sm 30 mic beats 1200 any day, week, etc..don't waste your monies. With the trend to ever-smaller living spaces RF feedback rears it's ugly head. Listen to yourself in the monitor receiver while transmitting; you may now try Menu 4-4s options. It is clipping the mic pre amp. Low end, Mid Range, and Highs. In the amateur radio field we aren't dealing with music material but the adjustment affects voice the same way. The Elecraft K3 and KX3 are remarkable transceivers. This will keep the DC factor into the mic preamp circuitry. Remember to set the Mic Gain and Mic Bias properly, as described above. Cutting these frequencies will reduce intelligibility. Ham Radio . Heil Mike Wiring. The earlier FT series is actually electrically the same point as the front mic in. It was a big help. ThePRO 7-iChas the appropriate cable included and will sound wonderful with a 7300. I use the RA200 with an Icom 7300 and get great results with no "dog house" box. Here are the menu assignments for the FT 950. RE: Setting Up The YAESU FT-950 TX EQ; I used my Yaesu FT950 with the MD-1 mic which I had set on position 2. Also, the FT-950 does not have an audio input on the rear and the FT series are not balanced inputs but rather unbalanced. Press the (PROC) button momentarily so MIC EQ shows up on the display. The Yaesu FTDX 1200 TX eq and processor setup guide. Set the MAIN: MIC SEL menu selection to FP (Front Panel). It ain't rocket science. If you set the Bandwidth control of the Parametric to 1 or 2, the notch or boost you have set will only affect about 150 to 250 Hz. For really beautiful audio, using a studio microphone like the Heil Sound PR 40 or PR 781, connect the microphone via an outboard equalizer like one of the fine products from W2IHY, and then apply the output from the equalizer to pins 2 and 11 of the rear-panel Accessory jack. You can adjust the frequency, the bandwidth and tell those parameters to either notch (-) or boost (+). Once he taught me how it all worked, my main challenge was trying to explain to my bandmates where the dozens of "sliders" had gone from our Main and Monitor EQ feeds. Boost it with that adjustment. Monitoring of your signal is particularly important when setting Menu item Q4, which has a huge effect on your transmitted tonal quality. Key the rig just long enough to take a reading. Maybe older firmware had different EQ freqs? A 100ft tower, a large beam, a 1500w amplifier and a top-of-the-line transceiver, then add more equipment so you sound great on the other end? If you want to cut some low end, you notch -20 dB at 100 Hz. Set the transmitter bandwidth and then adjust the equalization for the audio response you desire by listening to your signal. Remember, you're at 100% duty cycle. For best results please consult your owners manual. You may prefer 300 here) This will roll off some of the extreme low frequency response. Well after reading the article it makes me scratch my head and ask myself WHY? Again YOU have to make the final decision by listening to your own signal. I don't particularly care for using the hand held mike and have ordered an MD-100a8x so these settings might help with that mic, but as my grandfather always said, if it ain't broke, don't fix it, so I will be leaving the EQ and Processing off until I need to refer to this article for setting up the EQ when I get complaints instead of compliments on my audio. Last, Heil's cables contain a small jumper wire from mic shield pin of the connector to the shell of the mic. Set EQ3 Frequency to 2100 Hz, EQ2 Level to +10, and EQ3 Bandwidth to 2. Also, it almost always seems to be necessary to make the boost at around 1kHz. Now connect your headphones to the monitor receiver. i will be getting my 950 this weekend and already have a heil handi mic with HC-4 element bought, these settings are a great starting point but i was wondering what is the most common settings to change to suit an individuals voice, for example my voice would be quiet bassy naturally. Do not confuse this with receiver bandwidth response. On Yaesu FTDX 3000 (and similar radios), please try the following settings for the compressed mic menus, which are 159 to 176 on the FTDX3000: P-EQ1 FREQ 200 (adjust the low bass freq center point in Hz.
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